-Hello
-Hello
-Can I help you?
-Yes please. I need a bag of sugar.
-That's 4 pounds. Anything else?
-Well, I need a bottle of oil, too
-That's 2 pounds
-Thank you. Good - bye
-Bye
English is my favourite lesson on that day
Мой занятой папа.Наша семья это папа, мама, я и моя сестра. наш папа обычно очень занят. у него не времени с нами играть. когда мы хотим, чтобы он с нами поиграл, он говорит, что ему очень жаль, но у него нет времени или предлагает, чтобы мама поиграла с нами, или говорит, чтобы мы играли со своими друзьями, или с игрушками. 9 часов вечера, мне пора ложиться спать. Я приходу к папе в комнату и говорю:" извини, папа..." он отвечает: Что тебе надо? ты что не видишь, что я занят? Иди и играй с игрушками!!! " Просто папа, но я просто пришла сказать тебе Спокойной ночи!!" " Ты не могла бы сказать мне об этом утром? Ты не видишь, что я занят?"
<span>Impressionism is a very natural stage of art’s (0) DEVELOPment.
Russian painters had started their (1) unHeard of experiments with light and modified colour schemes before they visited France and got acquainted with French impressionism.
And yet, there is a difference between Russian and French impressionistic (2) Depiction in terms of their subject matter, light and colour scheme .
As far as French artists were concerned, they portrayed life differently in (3) </span>COMPARison<span> to Russian painters.
However, Russian impressionists never attempted to break away from (4)REALity.
Strictly speaking, Vasily Polenov can be regarded as a path (5) </span>BREAKer<span> in this field.
He was one of the first Russian painters who visited Paris in the 1870s and became (6) </span>ENORMOUSly<span> fascinated by impressionism.
He didn’t abandon his own distinct painting style, but he made every effort to (7) </span>FAMILIARize<span> his students in Russia with his French findings and encouraged their own artistic explorations.
Thanks to his (8) </span>ENTHUSIAStic<span> support, his like-minded contemporary artist Konstantin Korovin felt confidence to work differently.
The Moscow School of Painting, Sculpture and (9) </span>ARCHITECTure<span> had never had landscape painting classes as this genre was seen as the one for amateurs.
V. Polenov was the first to introduce such classes and he was (10) </span>VIRTUALly<span> besieged by students who wanted to paint nature.
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